Handheld gimbal stabilizers are all very well and good, but for really classy-looking cine camera movements, nothing beats a wheeled dolly shot. The Hyperdolly is designed to get those shots, without ...

Leaving the camera solely on sticks can result in a boring final cut. But handheld camerawork can come off sloppy and shoddy. So how can a director or cinematographer ensure a film’s dynamism and ...

You’ve likely used the “panorama” setting on your smartphone camera to capture a nice, wide image (you know, the one that turns people into a Cronenbergian monster if you move too fast). In film, the ...